In: Abstracts, Character, Dialogue, Grammar, Literary Devices, Narrator, Objects, Phrases, Plot, POV, Research, Rewriting, Structure, Verbs, Voice, Word Play, Workshop
Chuck surprised us all with a new batch of essays for 2014 & 2015! There is no exact timeline on how these will roll out, so just keep an eye on the site.
Concrete, practical methods for improving your writing.
36 exclusive craft essays on writing you won't find anywhere else online. The knowledge here is equivalent to what you'd get in an MFA program.
By Jay Wilburn
In: Cliche1980 was over 40 years ago. 80s horror movies are now all classics or didn't stand the test of time. Either way, they can teach us a lot about good and bad writing.
In: RewritingNick Kolakowski's revised trio of novellas, now titled "Love & Bullets", is out from Shotgun Honey this month. He has some advice...
In: Literary DevicesWriters have always loved to give advice, even when it’s not solicited.
By Peter Derk
In: StructureEndings are the make or break of horror stories. Stop blowing it.
In: GrammarIn 10 years, I've given a lot of grammar advice. Some of it is bullshit now, but some of it is truer than ever.
In: PoetrySometimes the best way to retell a tarnished story is through poetry. Steven Reigns' new book, "A Quilt For David", re-examines an old moral panic from the 1990s and finds it wanting.
In: ThemeIt’s easy to view these aesthetics as trends of small consequence, but it’s more interesting to watch their evolution against the scope of other romantic movements.
In: SettingHeyer said of her own writing in the 1940s, “I think to myself I ought to be shot for writing such nonsense," but her self-deprecation undermined her wit and substantial body of bestselling work.
In: PoetryAn open letter to Charles Bukowski on his birthday.
In: NarratorFresh ideas can be learned from books told from a different perspective.
In: AbstractsHow to write authentic fiction that resonates with other people.
In: VoiceWhat you write matters. Getting paid is not enough.
In: StructureSome tips on inserting scene breaks into your short stories.
In: POVRichard dissects his epistolary horror story, "In His House."
In: RewritingIt's crucial that you can read your writing as the audience, an author, AND an editor.